Mathias Grassow Bad Soden, Germany
Active since 1980. Training 80-83 at Synthesizer Studio Jacob in Wiesbaden. 1986 first cassette release, followed by first CD 1990. Mainly inspired by the "Munich school". Today specialized in ambient/drone with own style and strong spiritual orientation. "Ambient School" and "Sound Design" are currently under construction. Enquiries about : support@mathias-grassow.de. and www.mathias-grassow.de ... more
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supported by 23 fans who also own “Rheingau impressions - Part 2 - Creation I”
Now THIS is the ultimate Christmas-gift..! Deep, soothing, comforting, and above all: classic Steve! This will be on repeat a lot.. Hopefully this will come as a CD/vinyl-release as well! Thanks Steve and best wishes from the heart.
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This Place To Be
by Steve Roach
supported by 22 fans who also own “Rheingau impressions - Part 2 - Creation I”
Another of my favorites to calm my mind. It takes me to another place slow my racing thoughts
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Painting In The Dark
by Steve Roach
supported by 20 fans who also own “Rheingau impressions - Part 2 - Creation I”
What an amazing album and one of my personal favourites. It's complex, deep, emotionally moving and thought provoking. Listening with a decent pair of headphones is recommended.
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DC-based musician Carni Klirs leads listeners on a series of soothing, self-guided journeys that pull from post-rock and ambient drone.
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Comical Palliatives for Human Disquiet
by Reader Advisor (Niles Frantz)
As the title implies, these are deep, dense, potent drones that surround and overwhelm, flooding space with sound.
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Inspired by the ocean, the latest from Low Altitude combines field recordings with dreamy, expansive electronics.
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Zones, Drones & Atmospheres
by Steve Roach
supported by 20 fans who also own “Rheingau impressions - Part 2 - Creation I”
This album will grow on you. Listen in headphones or earbuds. It will blow your mind. Steve has so many amazing textures and dimensions on this release. It's hard to pick a favorite track. Probably in his top 5, if there is such a thing.
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